91女神

Learn more about Wolfgang Laib below, at 07:35.

The term 鈥溾�� refers to the inner sanctuary of the Jewish Temple in Jerusalem where the Ark of the Covenant was maintained. Read more in this Wikipedia article. The Jewish priesthood wore garments specific to their order, and the High Priest of Israel had , as described here.

Mosaic of the Twelve Tribes of Israel, from the fa莽ade of Givat Mordechai Etz Yosef synagogue, Ha Rav Gold Street, in Jerusalem. Top row, right to left: Reuben, Judah, Dan, Asher. Middle row: Simeon, Issachar, Naphtali, Joseph. Bottom row: Levi, Zebulun, Gad, Benjamin. Source:

The , listed here, took their names from the sons of the patriarch Jacob. The Bible makes some references to standards or flags for the Twelve Tribes, and are found in midrashic sources.

Kahn makes reference to the extravagant movie epics based (sometimes loosely) on Biblical stories produced by Hollywood in the 1950s and 1960s. One well-known example is the film (1956), starring Charleton Heston. The film鈥檚 depiction of the parting of the Red Sea was perhaps the most complex visual effect attempted up to that time.

Italian poster for The Ten Commandments (1956), featuring the parting of the Red Sea. Collection of Michael Morris, O.P. Photo by Jeffrey Vaughn.

MOCRA鈥檚 2007 exhibition The Celluloid Bible: Marketing Films Inspired by Scripture featured posters from many of these Biblical extravaganzas, along with other promotional materials as seen in this 鈥淟iving St. Louis鈥� segment:

Albert Pinkham Ryder, Moonlit Cove, early to mid-1880s. .

(1847鈥�1917) is known for his atmospheric, suggestive paintings. 

Kahn鈥檚 work was included in a 1999-2000 exhibition at the Albright-Knox Art Gallery in Buffalo, New York, titled Landscape at the Millennium, which paired nineteenth-century landscape paintings from the collections of the Albright-Knox Art Gallery and the Parrish Art Museum, Southampton, New York, with two contemporary installations by Kahn and painter Pat Steir. .

Tobi Kahn: Sky & Water was shown at the Neuberger Museum of Art in Purchase, N.Y., in 2003. . 

Josef Albers (1888鈥�1976) was an artist and an influential theorist and educator. He is particularly known for the Homages to the Square he painted between 1950 and 1976 and for his 1963 publication Interaction of Color. .

(b. 1943) is an American artist primarily concerned with light and space. Among other works, he is known for his 鈥渟kyscapes鈥� and his ongoing project to transform the Roden Crater.

(b. 1950) is a German artist whose work is often highly conceptual and employs predominantly natural, organic, ephemeral materials. .

(b. 1939) is considered a pioneer of the 鈥淟ight and Space鈥� movement in Southern California in the 1960s and 1970s.

See images of Kahn鈥檚 .

Read about other sacred space projects by Kahn in this and this . 

See above at 03:05 for a discussion of the Jewish Museum exhibition.

Kahn鈥檚 work was included in a 1987 exhibition at the in Syracuse, NY, titled Sacred Spaces, curated by Dominique Nahas. .

See above at 05:05 for a discussion of the Holy of Holies.

Jane Blaffer Owen (1915鈥�2010) dedicated much of her life to the small town of . Situated on the Wabash River, New Harmony was the site of two 19th-century utopian communities. Under Owen鈥檚 guidance and with her patronage, it also became home to a rich body of contemporary art and architecture by figures such as Richard Meier, Jacques Lipschitz, Philip Johnson, and Stephen DeStaebler鈥攁 collection now known as the . Read a .

Tobi Kahn, Shalev, 1993. Bronze and granite. Collection of , New Harmony, IN.

Kahn's 1993 sculpture Shalev is situated in New Harmony on the banks of the Wabash River.

(1919鈥�2019) was a renowned curator of contemporary art as well as a historian of German Expressionism. Selz became the curator of the department of painting and sculpture at the Museum of Modern Art, New York in 1958. In 1965 he was called to the University of California, Berkeley to found the university鈥檚 art museum. Selz served as its director from 1965 to 1973. He was known more recently for his provocative, politically charged exhibitions like The Art of Engagement, which showed at the American University Museum at the Katzen Arts Center in 2006. Selz curated both Tobi Kahn: Metamorphoses, shown at MOCRA in 1998, and the Patrick Graham retrospective The Silence Becomes the Painting, shown at MOCRA in 2012. Selz spoke at MOCRA twice, in 1995 on the topic of 鈥�Degenerate Art,鈥� and in a 2012 panel discussion on the work of Patrick Graham, which you can watch here.

Jane Daggett Dillenberger (1916鈥�2014) was one of the pioneers in the dialogue between modern art and religion, beginning her work in the field of art history in 1942. As Professor Emerita in Art and Religion at the Graduate Theological Union, in Berkeley, California, she remained actively involved in the "religion and the arts" program at the Graduate Theological Union until her death. In addition to her teaching, she was a curator and a scholar. Her most important exhibitions were the 1972鈥�1973 The Hand and the Spirit: Religious Art in America, 1700鈥�1900, which she co-curated with art historian and museum director Joshua Taylor, and its sequel, Perceptions of the Spirit in 20th Century American Art, which she co-curated with her then-husband, theologian John Dillenberger. Her books include Image and Spirit in Sacred and Secular Art, Style and Content in Christian Art, and The Religious Art of Andy Warhol. Her final book, The Religious Art of Pablo Picasso, co-authored with art historian John Handley, was published in 2014. (Handley lectured on the book at MOCRA in 2014.) Dllenberger gave a keynote address at 鈥�The Artist and Sacred Space,鈥� a 1992 conference marking MOCRA鈥檚 opening. She also appears in MOCRA Voices, Episode 6, discussing St. Peter's Lutheran Church in Manhattan.

(1901鈥�1966) is best known as a sculptor, although he was a capable painter, printmaker and draughtsman as well. He was associated with the Surrealists in Paris in the 1930s, but his later work was influenced by Existentialist thought.

(1898鈥�1986) is best known for his semi-abstract monumental bronze sculptures, many displayed as public works of art. Like Giacometti, he is associated with representations of the human figure, but where Giacometti鈥檚 figures tend to be attenuated and spare, Moore鈥檚 are often undulating and even voluptuous.

The Roofless Church, New Harmony, IN.

The is a structure in New Harmony designed by renowned architect Philip Johnson. The non-denominational church was commissioned by Jane Blaffer Owen and dedicated in 1960. Johnson and Owen envisioned a church where the only roof large enough to encompass a world of worshipers was the sky.

Visit the .

The Cornell Fine Arts Museum at Rollins College in Winter Park, Florida, presented in 2015. 

(1871鈥�1956), a major figure of the German Bauhaus, is renowned for his paintings of architecture and seascapes, but his work had a more whimsical dimension, including comic strips and miniature hand-carved wooden figures and buildings, known as City at the Edge of the World.

Special calendars are used to count off the seven weeks of the Omer, the 49-day interval beginning on the second day of when an omer, or measure of barley, was offered at the Temple in Jerusalem鈥攁nd ends on the day before , celebrating the giving of the Torah to the Israelites at Sinai. Symbolically, the time between the two holidays traces the path from physical freedom (the Exodus) to spiritual freedom (attained by the acceptance of the law).

Tobi Kahn, Saphyr, 2002. Acrylic on wood. Collection of The Jewish Museum, New York.

Kahn's Saphyr is a sculptural grid with 49 pegs conceived as miniature houses, each with a unique shape. , now in the collection of The Jewish Museum, New York. 

Nessa Rapoport

Nessa Rapoport is Senior Program Officer at the Charles H. Revson Foundation. Previously, she was a senior editor at Bantam Books, where she specialized in memoirs. Rapoport is the author of a novel, Preparing for Sabbath; a collection of prose poems, A Woman鈥檚 Book of Grieving; and a memoir, House on the River: A Summer Journey. Her essays and stories have been published in the New York Times, Los Angeles Times, and Forward and have been widely anthologized. Her column, 鈥淚nner Life,鈥� appears in The Jewish Week. Rapoport writes and speaks frequently on Jewish culture and imagination and has collaborated on projects with her husband, Tobi Kahn.

• Br. Stephen Erspamer, OSB, liturgical design consultant, St. Meinrad, IN
• Tobi Kahn, artist, New York
• Dr. Fatemeh Keshavarz, Associate Professor of Persian Language and Literature & Jewish and Near Eastern Studies, Washington University, St. Louis
• Dr. John Renard, Professor of Theological Studies, 91女神, St. Louis
• Rabbi Susan Talve, Central Reform Congregation, St. Louis     

in the sanctuary of Congregation Emanu-El B鈥檔e Jeshrun in Milwaukee, WI.

in the Elliot Binder Chapel of Temple Beth El of Northern Valley in Closter, NJ.

See above at 08:15 for a discussion of Kahn鈥檚 installation at the HealthCare Chaplaincy in New York.

Listen to a discussion of the Louise Nevelson Chapel of the Good Shepherd at St. Peter鈥檚 Lutheran Church in Manhattan in MOCRA Voices, Episode 6: Ralph Peterson and Jane Daggett Dillenberger. 

Artist is Founder and Executive Director of ; her husband, filmmaker , is Co-Founder and Creative Director. Jewish Art Now seeks to serve as 鈥渁 central portal for the convergence of Judaism and contemporary art with a fresh and innovative perspective. . . . Jewish Art Now recharges Jewish identity and its relationship to the visual through engaging exhibitions, interactive events, and dynamic media content on the web.鈥�

Kahn refers to another initiative linking Judaism and contemporary art, the , which describes itself as 鈥渁n international artist-driven community that promotes understanding and appreciation of contemporary and innovative Jewish visual art.鈥� Its projects include exhibits, interactive art events, and bi-monthly salon sessions in the New York City area with international artists and scholars. Visit the Jewish Art Salon website. Artist is Executive Director of the Jewish Artists Salon. , currently President of Pardes Institute of Jewish Studies, was Shalom Hartman Institute of North America Vice President for Programs in Israel. He was also the founding director of the Skirball Center for Adult Jewish Learning at Temple Emanu-El in Manhattan.

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Kahn鈥檚 family name derives from the Hebrew word for 鈥減riest,鈥� kohen (讻止旨讛值谉). , as well as its place in the context of contemporary Judaism.

Jewish worship is a richly layered tapestry of texts and practices, which cannot be done justice here. That being said, Kahn refers to , a series of blessings that are central to Jewish worship. , signifying worship, labor or service, is one of these blessings, and asks God to restore the Temple services and sacrificial services.

To this day in many Jewish congregations, Kohanim impart the found in Numbers 6:23鈥�27. 

See above at 22:55 for a discussion of the exhibition Avoda: Objects of the Spirit.

has been curator of the Museum at Hebrew Union College - Jewish Institute of Religion since 1991.

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(b. 1957) is an Iranian visual artist known primarily for her work in film, video and photography. Watch her TED Talk: